New York Times’ architecture critic Nicolai Ouroussoff sees Beijing’s rapidly changing cityscape as a metaphor for China’s emerging national character:
Critics have incessantly described these high-profile projects as bullish expressions of the nation’s budding global primacy. Yet these buildings are not simply blunt expressions of power. Like the great monuments of 16th-century Rome or 19th-century Paris, China’s new architecture exudes an aura that has as much to do with intellectual ferment as economic clout.
Each building, in its own way, embodies an intense struggle over the meaning of public space in the new China. And although at times terrifying in their aggressive scale, they also reflect the country’s effort to give shape to an emerging national identity.
