From Guardian Unlimited:
Ten years ago, Xu ZhenÔºàXu’s siteÔºâ was the archetypal garret-dwelling artist, scraping a living in a Shanghai apartment with barely room to swing a cat. To prove the point, he found a cat and swung it. The artist claims that the animal was already dead when he made the 45-minute performance video, which shows feline entrails being spattered across the walls. But the piece established Zhen as the rising star of the new generation of Chinese artists whose work now features in The Real Thing, an exhibition at Tate Liverpool that is the most comprehensive show of contemporary Chinese art ever staged in this country.
The Liverpool show opens at the same time that a group of Young British Artists make their first appearance in China. Aftershock: Contemporary British Art 1990-2006 brings items such as Tracey Emin’s bed and the Chapman Brothers’ Stephen Hawking statue to the Capital Museum in Beijing. But while these pieces have a retrospective feel, China arguably has the most vital, imaginative and uncontainable art scene in the world today….[Full Text]