A banner year for Chinese films and filmmakers at the 61st Taipei Golden Horse Awards has attracted much attention on Chinese social media, despite strict ongoing censorship of any topic connected to the awards. This year’s...
Film censorship has long plagued China’s creative arts industry and stifled foreign products seeking domestic Chinese audiences. The shrinking space for artistic expression, along with rising nationalism, has exposed artists and...
Today’s quote of the day comes from a CDT Chinese faux “Dragon Seal” visual about acclaimed sixth-generation filmmaker Wang Xiaoshuai’s battle to get his latest film “Above the Dust” 《沃土》(Wòtǔ, “fertile soil”) past...
Hong Kong’s national security purge shows no signs of slowing down, two and a half years after Beijing’s National Security Law was forced through the territory’s legislature. The government’s latest legal pursuits have targeted...
In the 404 Files podcast (404档案馆), CDT Chinese tells multimedia stories of censorship and circumvention in China. The following is a translation of the transcript of Episode 36, released on October 27, a deep dive into why films...
Chloé Zhao made history on Sunday as the first woman of color to win an Oscar for best director. Her film “Nomadland” also took the top prize as the 2021 best picture. But in China, the country of Zhao’s birth,...
After making history at the beginning of this month by becoming the first Asian woman to win best director for her movie “Nomadland,” Chloé Zhao was initially showered with praise from Chinese state media. That was...
CDT has recently acquired and verified a collection of propaganda directives issued by central Party authorities to state media at the beginning of this year. These directives were issued on an almost daily basis in early 2020,...
CDT is expanding its wiki beyond the Grass-Mud Horse Lexicon to include short biographies of...
Award-winning Tibetan director Pema Tseden has been hospitalized since Monday with injuries...
Edward Wong of the New York Times recently spoke with film director Jia Zhangke, whose new movie,...
The New York Times reviewed “A Touch of Sin”, the newest work of the Chinese...
Jia Zhangke’s A Touch of Sin (天注定), a film containing enough violence for critics to have conjured thoughts of Tarantino, won best screenplay at the Cannes Film Festival last month. Just prior to taking the prize, Jia told...
On Saturday, a Chinese film, Beijing Blues, won the best film award at Taiwan’s Golden Horse Film Festival, the “Chinese-language Oscars”. From the Associated Press: “Beijing Blues” portrays the lives of the...
The Hollywood Reporter interviews director Lu Chuan about his new historical drama The Last Supper: THR: Please explain how The Last Supper will differ from all the ancient Chinese epic films that have come before it. Lu Chuan...
Danwei interviews filmmaker Zhao Dayong about his new film The High Life which premieres at the Hong Kong International Film Festival: Interview with Chinese film director Zhao Dayong from Danwei on Vimeo. Read a review of The...
NPR profiles Zhang Yimou and his new film, a remake of the Coen Brothers’ Blood Simple: Zhang Yimou has undergone a dramatic transformation, from art-house auteur of the early 1990s to the man who orchestrated the...
China Daily profiles filmmaker Zhang Yuan, whose work has often been banned inside China: After shooting the first music video for Chinese rock ‘n’ roll godfather Cui Jian, he made Beijing Bastards in 1994, which was...
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