From The Art Newspaper:
Guan Yi, 42, has assembled the most important holdings of contemporary art in China. He comes from a family which made huge sums of money in chemical manufacturing in Qingdao but in 1997 ceded management of the family business to his brother to concentrate entirely on collecting. At the time most contemporary art was going abroad to foreign buyers and he believed that “we Chinese should recognise that this art of our time is important”.
Guan Yi believes he is collecting art as a mission, doing the work that public institutions and the Chinese government are failing to carry out. He now owns “700, maybe even 800 works” of Chinese art including pieces by Huang Yong Ping, Wang Guangyi, Zhang Peili, Wu Shanzhuan, and Yan Lei. Around one third of the collection consists of large-scale installation pieces. He says he is increasingly frustrated by the rampant speculation in the Chinese art market which is making it difficult for talented young artists to emerge today. He also sees the lack of professional art critics in China as another big problem. The tendency in China to equate high prices with art historical importance is hampering the development of significant work, he says.
Although Guan Yi prefers to stay out of the limelight, he granted us a rare interview at his warehouse in Song Zhuang, on the outskirts of Beijing, to discuss his project to build a museum for his collection as well as a sculpture park for works commissioned from international artists.
